rabelais and his world造句

• Mikhail Bakhtin wrote " Rabelais and His World ", praising the author for understanding and unbridled embrace of the carnival grotesque.
• Even in the early 20th century, Bakhtin argues in " Rabelais and His World " that we should not compare modern Mardi Gras with his Medieval Carnival.
• Bakhtin declares that, for centuries, Rabelais s book had been misunderstood, and claimed that " Rabelais and His World " clarified Rabelais's intentions.
• Thus, in " Rabelais and His World ", Bakhtin studies the interaction between the social and the literary, as well as the meaning of the body.
• Under the influence of Mikhail Bakhtin s book Rabelais and His World, Eshleman begins to re-organize  The Tsuruginomiya Regeneration manuscript material into the book he will publish in 1973 as Coils.
• In " Rabelais and His World ", Bakhtin concerns himself with the openness of " Gargantua and Pantagruel ", however, the book itself also serves as an example of such openness.
• The cultural critic Mark Dery traces the origins of culture jamming to medieval carnival, which Mikhail Bakhtin interpreted, in " Rabelais and his World, " as an officially sanctioned subversion of the social hierarchy.
• In his " Problems of Dostoevsky s Poetics " ( 1929 ) and " Rabelais and His World " ( 1965 ), Bakhtin likens the " carnivalesque " in literature to the character of activity typical of the carnivals of popular culture.
• Bakhtin s primary works include " Toward a Philosophy of the Act, " an unfinished portion of a philosophical essay; " Problems of Dostoyevsky s Art, " to which Bakhtin later added a chapter on the concept of carnival and published with the title " Problems of Dostoyevsky s Poetics "; " Rabelais and His World, " which explores the openness of the Rabelaisian novel; " The Dialogic Imagination, " whereby the four essays that comprise the work introduce the concepts of dialogism, heteroglossia, and chronotope; and " Speech Genres and Other Late Essays, " a collection of essays in which Bakhtin concerns himself with method and culture.